Art, Collage

Vessels: Fruits

A Book of Vessels: Fruit
Fruits
collage

Another piece for the Vessels book.

I thought I’d use up some of the photos I’d altered. I didn’t like the way they turned out, so I didn’t want to use them as stand-alone pieces. I saved them, though, thinking I might use them in a larger project. The little figure in the center is Baubo. I have no idea what the photo under the olla used to be. The image at the upper left is of a bronze cross. I believe it was made in Africa, though I have no idea where. Baubo was sanded; the two other photos were sanded and liberally augmented with metallic gold wax.

And, yes, the tomato is a fruit.

Art, Collage, Paintings

Vessels: Conceiving the Plan

A Book of Vessels:  Conceiving the Plan (before) A Book of Vessels: Conceiving the Plan
Vessels: Conceiving the Plan
mixed media

I called my mom this morning and spent three hours talking to her. Where does the time go? While I was on the phone, I took another look at the watercolor I did a couple of nights ago. Ugh. It was just as bad as I remembered. I figured, since I was gabbing and my hands weren’t busy, I may as well try to salvage what I could. I diluted some gesso and splashed it over the paper, let it sit for a bit, then blotted up the excess. That lightened everything and left a milky, mottled cast to the image that I quite liked. You can see the remains of the effect in the lower left-hand corner.

I then got out my Pitt pens and played with the shading. I did some cross-hatching, which helped, but not enough. However, I made a discovery. I was using my grey brush-tip pens and decided to do some washy shading on top of the cross-hatching. The under layer of ink melted and smeared. Hmmm. Pitt pens are permanent when water is applied, but apparently the carrier in the pen itself will melt already-dried ink. That makes sense (otherwise the ink would dry up in the pen, right?), but it hadn’t occurred to me before.

So then I played around with laying down dark areas and using the lightest brush tip pen to melt and redistribute the ink. Oh frabjous day! I really like how the final image turned out. It’s not perfect, but I’m pleased that I was able to salvage it. I think it’ll make a nice addition to the Vessels book.

Art, Collage, Paintings

Blue Horizons

A Book of Vessels: Blue Horizons
Blue Horizons

A Book of Vessels: Cave
Cave

I had to use Flickr again. I like how easy it is to upload and manage images, but I’m not happy with the thumbnails it generates. They’re a little too small, I think. I prefer 120 pixels instead of 100. Hrmph. So, I decided to use the next larger size as thumbnails. (Yes, I really do obsess about these sorts of things!) Anyway… Both of these collages are destined for the Vessels book I’m working on.

Blue Horizons: As always, I turned to Mr. Dictionary to see if there was anything I was overlooking. One definition given for “horizon” is “The limit of the theoretically possible universe.” I like that. It speaks to exploration and a potential to be fulfilled.

Cave: This image came from a scenic/touisty type magazine. I tore it into vertical slivers, then inked the margins (my hands are still stained black) and used a Q-tip soaked with ink to color between the torn pieces. I like the way the vertical black lines echo the errosion lines in the rock face.

In mythology, caves are places where the underworld and the real world meet. The cave, like the cauldron, cup, and chalice, also echos the womb. It is the place from which things are born.

A Book of Vessels:  Conceiving the Plan
Conceiving the Plan

This is a piece in progress. I’m not happy with the way it turned out (watercolors drive me insane), so I’m probably going to either use the painting in a collage or collage over parts of the painting. We’ll see.

Art, Bookarts, Journals

Dada Book

P004

P033

P006:  Faceless P008:  Do You Ever Think Before You Speak?

These are a few pages from the Dada book I’ve been working on. It’s made of pages from Real Simple magazine. Some of the images in the magazine are great for collage, but I find the overall tone is pretty insufferable. What better use to put the left-overs to than to rip them up and turn them into a Dada-esque journal?

Cover

I had intended to use it mostly for collage, but I’ve ended up using it for “evening pages.” Some of the folks in one of my art groups are working through The Artist’s Way. I had planned on working on it with them, but I decided that waking up any earlier than I already do–just to journal–would be cruel and unusual punishment–4am is plenty early enough, thankyouverymuch! So, I’ve been doing some very quick pages right before I go to bed. I’m finding that it’s a nice way to cap off the day–sort of like getting in the last word.

This is a crappy picture, taken with my ubercheap digital camera. The book is small and chunky: 5.5 x 4.5″ and about 1″ thick. I used a coptic stitch to bind it, which was a bit of a challenge. The clay-coated magazine pages are weak and brittle, so they crack easily. I had to remove a couple of signatures because the holes ripped open as I was sewing the binding. I ended up with 13 signatures of 20 pages each.

Art, Collage

Vessels: Attun

A Book of Vessels: Attun
Vessels: Attun
collage

I tried to upload this last night, but I couldn’t get online. So, I’m trying out Flickr, because it’s accessible from work. It seems easy enough, but I’m not sure I like the size of the thumb-nails. I’m also not keen on the the way images are displayed. I really like the transparency of Hello. But, beggars can’t be choosers, right?

Anyway, this piece is yet another in the new Vessels series. After I had the basic lay-out sorted, I started playing around with some letters I’d cut out of an architecture magazine. My options were limited, word-wise, so I settled on attun. Hmmm. I was sure I’d come across the word before, but I couldn’t remember the context or meaning. A quick Google turned up this. Oh, serendipity!

http://lists.ibiblio.org/pipermail/b-hebrew/2000-January/005986.html

Dr. Marcus Jastrow defines ‘attun /’attun’a as “fire-place, stove; a fire-place of which the fire has been scraped out.” … However, it is also used in Targum Onqelos to translate the Hebrew word kavshen at Exodus 19:18, which is a “kiln for lime or pottery,” (BDBG) and was used to describe the smoking mountain of the theophany. Or as some translate this Hebrew word also, a “furnace.” It would appear that the word ‘attun is not explicit, except to refer to a large place used for burning. Yet ordinarily, that might favor furnace or kiln over a bread oven.

Poetry

The Star Maker

The Star Maker speaks volumes, in Greek
a wise man with rational principles,
inventing new methods for calculating prime numbers
a man of ethics and ellipses,
the Star Maker studies orbits,
dreams of satellites, planets, and comets
and mapping the sky.

The Star Maker, alchemist and geomancer
binds thought to water,
weaves halos of tin,
and summons bone from air
the Star Maker
speaks in circles of his theories of life,
of gravitational pull
and the swell of the waxing full moon.

The Star Maker, seer and cunning deceiver
divines portents from meteors and scatters of light,
ceaselessly searches for a unified theory of life
the Star Maker, keeper and monster slayer
watches over memory,
haunts dreams, never sleeps
the Star Maker thinks the unthinkable thing
and keeps the unknowable hidden from sight.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I guess I’m in the midst of a poetry writing binge. I recently pulled out my book of Homeric hymns, which is probably what spawned it. I love the Homeric hymns. I’ve always envied the the ability to know one’s gods so intimately that they are an unquestioned part of everyday life; that the gods could be as real and familiar as one’s friends and relations. I’ve never had that sort of faith.

I also envy people who have created their own mythologies. It’s not that I don’t have recurring threads, thoughts, and dreams, but until now I’ve never bothered to try to gather them together give them tangible form.

Poetry

Portia Dreaming

Day after day she forgets
the long run
the thief, stealing from her
rain drops spilling down glass
not lost, not sold, not given
the compass was hope for the scrubbing
How do you touch the dark?
Nasturtiums and a large bag of knitting and felt
but they are of charm and she would never see red
my heart, Portia to an artist in training,
remembers
the bone of a thought that was hid long ago
in a place only dreaming could know.

Photography

Another Crispy Saturday Morning

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20050212_11
Another Crispy Saturday Morning

After days and days of rain, sleet, and snow, the sun came out to play yesterday. The sky this morning is hazy, but the sun is bright and sparkling. The frost was quickly burned away, leaving a muddy brown-green landscape behind. The dogs played for a couple of hours, chasing rabbit tracks and digging for moles. Harriet is still outside, sunbathing. Elliott came in to cool off and get a drink, and is now lying under my feet, sleeping the sleep of the well and truly tuckered out. Ah, puppy bliss.

The cats are enjoying the sun’s appearance, too. After making a pile of all the socks, washcloths, and various pieces of paper looted from my art trash bin, Pandora is sitting on her nest, basking in a sunbeam. I love the way she faces into the light, periodically squeezing her eyes half-shut.

Poetry

Ely in Paris

Ely in Paris
(Creation Myth for a Muse)

Ely in Paris sent Pandora the hide
that matched my forty hours
Ely makes books and sundials
publishes treatises on perspective and collected theosophical works
Ely, keen on The Creation and the natural history of comets
makes up dances containing rules for my inspiration
my relations with you, the painter, and the poet
the alphabet chaser and curious baker,
disordered phantasms, all
in the unknowable place where I dwell
with our collective achievements.

We heard drums, but my palette also talked
of the old mossy bough, of beautifully drawn color
we saw happiness-to-go and looked all around
the ghosts were threatening desertion
Will I believe? Ely must tell me
we sat there for five days
five days wading through shit
and memories that follow rain,
follow bone, ground to dust
each day Ely fashions a furious storm cloud of woe
everything harder than anything.

————————————————–

Yesterday’s musings about Pandora and hope led to today’s musings about the creative process. Where does inspiration come from? The ancient Greeks believed they were inspired–literally–by the muses. The creative act was seen as an act of spiritual possession. The gods inspire us to create and in creating we become gods. This presents a chicken-and-egg problem: Man creates Art creates Man; God creates Man creates God. Where does it start and where does it end? And, who’s in charge here? Does the artist control the muse or does the muse control the artist?

Whatever the answer, I figured that my muse was owed a creation myth.