Art, Artist Books, Collage

Color Erratica: Red and Green

I’ve been participating in a round robin with some folks from the Art Erratica group. Each of the books has presented a different challenge. Mags’ book was no exception. She chose red and green with cream and brown. I had a difficult time working with those colors, so some of my reds tended toward the orange or purple. I also had a little trouble with the small size and the spiral binding. I’m used to working across a two-page spread, but didn’t feel like I could do that in this book. That meant coming up with four ideas instead of just two.

And, oh frabjous day, I actually remembered to sign all the pages in this book. I’m afraid I forgot to do so in Cathy’s book.

China
China
collage on paper
5 1/2 x 5 1/2 inches

When my brother and I were kids, we had a friend whose parents did the craft show circuit. One of the things they sold were window hangings made from Chinese paper cut-outs. The cut-outs were sandwiched between two pieces of glass, then the edges were sealed with leading. For years we had a cut-out of a fisherman who hung in various kitchen windows. He had long ago faded to white, but was cherished for the memories of old friendships he sparked in each of us.

I think this is the first time I’ve used Asian ephemera in my artwork. My brother and his wife import Chinese arts and craft and the sandalwood fan and paper cut-out were gifts from them. In light of the recent discussion about fetishizing others’ cultures in artwork, I was hesitant to take this route. However, I feel strongly about the importance of using objects that are a part of your life, that have a history and a story of their own.

Derranged
Derranged
collage on paper
5 1/2 x 5 1/2 inches

This piece incorporates one of the photos I altered a couple of months ago. It’s of a bronze Pan figure holding a bouquet of roses, with a live, red rose resting on top of the bouquet. The Indian-inspired tissue paper on the left came from Ms. Lea’s wedding.

Empty Little Boat
Empty Little Boat
collage on paper
5 1/2 x 5 1/2 inches

I still have boats on my mind. I’ve been suffering from a lack of motivation and inspiration lately, so this photo of an empty wooden boat, beached high and dry on the sand, seemed appropriate. The circle comes from a children’s book I dismembered.

Edit: I did some things a little differently this time. Part of that is because I was working in someone else’s book, which is a little nerve wracking. Part of it is because I had a major case of the waffles and decided to change horses in mid-stream. A couple of things didn’t work out the way I wanted them to, which sent me into a panic. Hmmm. What to do? I laid some tissue paper over the problem area, which helped, but not enough. Then, I tried a piece of an old dress pattern. Better, but still not right. Finally, I settled on wadding up some unbleached waxed paper and gluing that over the mess I’d made. Much better!

The Keeping Tree
The Keeping Tree
collage on paper
5 1/2 x 5 1/2 inches

This is based on a painting I did a couple of years ago. I used the same drawing in an altered book spread and in a tip-in swap. Someone suggested “a penny a head” for this one, but “a penny for your thoughts” is more what I was going for. I got the hat pin at a yard sale when I was in high school. The little bit of cork came from my first real art-school ruler (the ubiquitous 18-24 inch cork-backed, metal straight edge). And, again, more of my Yearbook Girls.

Altered Books, Art, Collage

Color Erratica: Orange and Copper

Recursive Jumprope
Recursive Jumprope
acrylic and collage on paper

Flying the Sun
Flying the Sun
acrylic and collage on paper

Cathy used an appointment diary, so I guess her journal is also an altered book. She chose copper and orange. Have I mentioned how much I love metallics? Oooh, shiny!

Top: This spread incorporates more yearbook photos, along with obituary photos from our local newspaper. The little cut-out girls are made from phone book pages. The little orange I ended up using is in this spread–coloring the cut-outs and as a base coat. I’m not completely happy with the little jump rope squiggles. I should have used a lighter pen. The ropes are too dark, but there’s not much to be done about that now.

Bottom: Yet another appearance made by me in my tutu. I’m standing on the moon (thank you, NASA). The drawing of the sun was done with cheap metallic gel markers (made by RoseArt). I have yet to find a surface they won’t write on. I didn’t stick as faithfully to the color scheme with this spread (gold is kinda like copper, right?). I had been wanting to make the sun out of copper leaf, but just couldn’t make it work. I ended up pasting a piece of newspaper over my colossal oops and starting over again. The result isn’t exactly what I had in mind, but it’ll do.

I was supposed to get this sent off on Friday, but as anyone in the US knows, that was Post Office Hell day. So, I’ll be stopping by the PO on my way home tomorrow, God willing and the creek don’t rise, as they say. I’m just relieved that I managed to finish my pages without making an unfixable mess or slopping paint all over someone else’s pages. Now, if I can manage to get on-line to post this, all will be well.

Art, Collage, Poetry

Epitaph for Eula Strange

Epitaph for Eula Strange
watercolor, antique curtain fragment, metallic wax, bone, Gepe mount, yearbook photo, and ink on paper

Epitaph for Eula Strange
I dread for me
living one mute day every time
an allusive and subtle communication
an ever present affliction
clutching to me
an old thought to gnaw on.
I am afraid
Out of worth
without words
caught and reduced and disorganized
like dreaming of sleep
and the taste of dry bones.

This is another of the watercolor collages I’ve been working on. I added a bit of antique Swiss dot material from a curtain that belonged to Pinkie Gray. She’s a watercolor artist who lived in Metamora. The jaw bone I found along the river in Muncie while walking my dog. The photograph is from another old yearbook.

Art, Collage

Remembering Beatrice Stone

Remembering Beatrice Stone
Remembering Beatrice Stone
watercolor, ink, gel pen, Gepe mount, yearbook photo, metallic wax, and doll parts on paper

This is another of the small watercolor collages I’ve been working on. The background is acrylic wash on paper. I used ink to make the hand print, then applied the Gepe mount and drew around it with silver gel pen. The doll parts were covered with metallic silver paste.

Art, Collage, Paintings

I Shall Not Go to Heaven

WCC01-1

WCC01-2

I Shall Not Go to Heaven
I Shall Not Go to Heaven
assemblage (bone and mirror) with acrylic and ink adhered to watercolor paper
5 1/2 x 3 3/4 inches

These are three steps in the collage process. I started with one of the uglier paintings, figuring I could hardly make things worse. I added a bit of metallic gold ink, which didn’t do a whole lot to help matters. The hand print was a step in the right direction, though. I like the way the metallic gold ink shows through the black ink of the hand print even though the black ink is on top. (And, for once, the metallic quality of the gold ink is actually showing up.) With the addition of a piece of mirror and some tiny chicken rib bones the piece is, I think, complete.

Art, Collage, Paintings

Boats

Little Gold Boat
Little Gold Boat

Little Red Boat
Little Red Boat
acrylic wash and Prismacolor on paper
3 3/4 x 5 1/2 inches

These are a couple of finished pieces from the watercolor collage experiment. The backgrounds were done with watered down acrylic on 140 lb watercolor paper. I used Prismacolor to darken and alter the color of selected areas. The gold boat was made from a piece of Burpee catalog paper coated with metallic gold paste. The red boat was made from origami paper.

Art, Bookarts, Collage

More Vessels

A Book of Vessels: Tomato Toque
A Book of Vessels: Tomato Toque

A Book of Vessels: Green Tea
A Book of Vessels: Green Tea

A Book of Vessels: Gorilla Fish
A Book of Vessels: Gorilla Fish

A Book of Vessels: Eden Sundress
A Book of Vessels: Eden Sundress

These are the latest in my series for the Vessels book. The round spinner dials on many of the collages came from the Dial-a-Tale book I found at a thrift store. I took the book apart and used the cover for a book I made. Most of the illustration from the book are pretty bad, but there were a few I saved, thinking I might be able to use them for collage.

Art, Artist Books, Collage, Paintings

Pandora’s Jar

Pandora's Jar
Pandora’s Jar
acrylic, Neocolors II, and collage on paper

This is the second spread in the Blue Journal. The background is acrylic, again. The jar was done in Caran d’Ache Neocolors II. I also used Neocolors II to color the fortune cookie slips. Like the previous spread, the tealy colors in this piece did not scan well. I ended up knocking down the saturation and contrast, which helped a bit, but the color itself is still off.

This spread could’ve doubled for the Vessels book. I may end up repeating it there, using a different color scheme.

Art, Collage

Two Tarts

A Book of Vessels: Tart

A Book of Vessels: Red
Top: Orange Tart
Bottom: Red Tart
collage

These are the latest two collages for the Vessels book. And, the inevitable finally happened. I knew I would eventually goof up and make a page upside down. Damn! I’m not sure what I’m going to do about it. It’ll drive me crazy to bind this into the book with wonky pages, but the alternative is to not use it. I guess that’s what I get for paying more attention to Fawlty Towers than to what I was doing, eh?

Art, Collage, Ladybusiness, Paintings

Vessels: 3 x 9

3 by 9

3 by 9 (detail)
Vessels: 3 by 9 (with detail)
mixed media on paper

This is the latest installment in the Vessels series. It’s a combination of Pitt pen, Koh-I-Noor watercolor pencils, Neocolors II water-souluble wax crayons, and collage on yummy Cartiere Magnani paper. I’m much happier with this piece than #17–not so much because I think the final image is all that much better, but because the process of getting to the end result was more satisfying.

I’m especially happy with the leaves. I usually don’t enjoy the process of cross-hatching. It’s a bloody pain in my behindermost parts to get the sort of result I want. It’s a little difficult to tell, even from the detail, but there there are layers upon layers upon layers of cross hatching, which gives a velvety depth to the drawing. The paper held up very well to this sort of abuse.