Category: Collage

Art, Collage, Drawings, Journals

Blue d’Anjou

Shelly

D'Anjou Pear
d’Anjou Pear (detail)

This one didn’t scan very well. I may try to get a photo of it tomorrow, to see if that works better. I didn’t do a very good job of spacing the stamps, but that’s how it goes sometimes. If were smart, I’d’ve done the checkerboard first, then centered the text stamps in the spaces. Alas, I am not smart.

About half the pears are finished drying, and the other half is about half dry. I picked up ten new pears at the grocery store: d’Anjou, Bosc, Bartlett, Red, and Asian. I also bought cranberry muffins, but we won’t talk about them. Ahem.

I timed my store run perfectly, because as I was driving down 3rd street, I got to watch the most spectacular sunset. The grocery store was kind of crowded, so there were lots of people milling around in the parking lot, and not a single person even noticed the beautiful sky. Look up, people!!!

[Edit: I reworked this one a little rescanned it. My scanner just does not want to cooperate with blues, so it’s still a crappy image. Better, but still crappy.]

Art, Collage, Journals, Paintings

Red Pear

Shelly

Red Pear
Red Pear (detail)

I used a very similar technique as I did on yesterday’s pear. The main difference was that I buffed some of the layers of glaze, instead of just blotting them. I also wet some of the layers a bit and lifted them off, when the color got too opaque. It’s kind of tricky, timing-wise, when working with acrylic, but not impossible if you’re careful and you don’t let the paint try completely.

Reds and yellows are hard for me to work with, because I always feel like I’m mixing ketchup and mustard. Strangely enough, the thought of ketchup, mustard, and pears just isn’t as appealing as one might think.

Art, Collage, Journals, Paintings

Bartlett Pear

Shelly

Bartlett Pear
Bartlett Pear (detail)

I like the way this one turned out. I’ve never really worked like this before. What I did was start with a layer of acrylic matte medium, then worked a little bit of acrylic paint into it, then blotted it with a baby wipe. I let that dry, then started again with another layer of medium, etc. As the layers built up, they started to look sort of watercolor-y.

The process was interesting, in that it went quickly, but I was able to work methodically. I enjoyed the control I had in applying the paint, but also the almost complete lack of control in how the excess was removed.

Art, Collage, Drawings, Journals

d’Anjou Pear

Shelly

D'Anjou Pear
d’Anjou Pear (detail)

I used Faber-Castell Pitt pen (brush tip greys) to block out the values, then used Portfolio watersoluble crayons to add thin layers of color. I buffed away any excess crayon with a paper towel. This sort of sketch goes very quickly, if you do a good job of getting the initial lights and darks in the right places.

The lazy R was an accident. My alphabet stamps are square, so it’s easy to get them misaligned if you aren’t careful. I added the lazy 7 to match it, because I totally meant to do that.

The checkerboard pattern is another quick eraser stamp, and the recipe came from a fussy, fancy-schmancy cookbook that I will never get around to using.

Art, Collage, Drawings, Journals

Bosc Pear

Shelly

Bosc Pear
Bosc Pear (detail)

I like the way this one turned out, including the little stamp. It’s a little different from what I’m used to doing with watersoluble crayons, in that I used very little water (just the fading of the edges at the top). What I did was layer and blend the crayon with my fingers (I used Portfolios, which are ridiculously smushy), then wipe away as much as possible with a paper towel. That left pretty much just the stained paper.

The stamp was an afterthought, made with an eraser and an Xacto knife. I will never, ever be a printmaker, because I find the inverted backwardness of it frustrating, so eraser stamps are about as much as I can manage.

Art, Collage, Drawings, Journals, Paintings

Red and Bosc Pears

Shelly

Red Pear
Red Pear (detail)

I’ve already uploaded details of the top two spreads, but I thought I may as well scan the full pages, too. The top entry was done before the Prismacolor drawing I did this morning. I forgot to put an interleaving sheet of paper between the pages, so the crayon and pencil transferred to the opposite pages. Oops. I also stamped the wrong date on that page. Numbers are hard, m’kay?

Red Pear
Red Pear (detail)

The second was done with watercolor pencils and a Niji water brush. I really like the way these brushes work, and will have to purchase a flat and a larger round when I get a chance. The little round I have is great, but not the right tool for all jobs.

Bosc Pear
Bosc Pear (detail)

The bottom one is acrylic applied with a Q-tip. One of these days, I’m going to have to actually buy some watercolor and acrylic brushes, but in the meantime, this worked pretty well. The smudgy effect suits Bosc pears, I think, because they’ve got a muted, matte finish.

This was a seriously limited palette: raw umber, burnt sienna, yellow ochre, and a touch of titanium white.

Art, Collage, Drawings, Journals

d’Anjou Pear

Shelly

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I occasionally forget how much work Prismacolor takes, which is about the only time it sounds like a reasonable medium to use. I also forget that it does not scan well, at least, not with my scanner, as some pigments are more opaque to light than others. Unfortunately, the ones that are more opaque are not necessarily the darkest in value, which leads to weird blotches that are not otherwise visible to the eye. In fact some of them are under-layers that are completely covered with other, less opaque colors.

D'Anjou Pear

There’s also a noticeable color shift, due in part to the opacity problem. The color in the snapshot is correct, but in compensating for the opacity discrepancies in the detail, I had to skew the color a bit. So, the detail is warmer than it should be, while the two-page scan is a bit washed out. (detail)