Art, Artist Books, Collage

New Vessels

A Book of Vessels:  Merry-Go-Round
Merry-Go-Round
10 x 14 1/2 inches
collage on paper

A Book of Vessels: Mathematics
Mathematics
7 1/4 x 10 inches
collage on chip board

These are the two newest additions to the Vessels book. Someday I’ll finish the content, so that I can bind it. The only problem is that, as soon as I do, I’ll end up with more stuff to put in it. I’m not very happy with the top one; the bottom one turned out much better, I think. There are also some nit-picky problems with the scans. I’ll probably re-scan them before uploading them to the website. If I don’t, they’ll annoy the crap out of me.

Obviously, we didn’t get sucked up in a tornado last night. The winds were intense, though. The weather guys on Channel 10 were guestimating that we’d get overnight gusts of up to 80mph. I don’t know if it got that windy, but it sure sounded like it did. I got almost no sleep, and decided to chicken out on trying to drive to work this morning, because I hate driving in the wind. It was a good thing, too, because my car title finally came this afternoon. Whee! I haven’t a clue why it took so long, but my second temporary plate expires on the 20th, so I’m glad it came when it did.

Now, to clean up the unholy mess I made arting and figure out what to make for supper. Hmmm.

Art, Artist Books, Collage, Ladybusiness

Color Erratica: Magenta and Orange

Museum of Femoribilia
Museum of Femoribilia

Girls
Girls

Did She Fake
Did She Fake

Be Ready
Be Ready
10 x 6 1/4 inches
new and vintage magazine ads, wrapping paper, page from vintage children’s activity book, 1920s yearbook photos, and soap wrapper

The latest round of Color Erratica pages, this time in magenta and orange. The monitor I’m viewing them on right now is, I think, uncalibrated, because the colors look off. They were fine on my own machine.

I took more of a gluebook approach to my pages in this book. I was reluctant to use any wet media, because the pages of the book had been glued together by the owner. Where others had used wet media, the paper has buckled and the glue is failing (you can see the buckling in the first page).

Art, Artist Books, Collage

Color Erratica: White

I Turn Myself Inside Out I
I Turn Myself Inside Out I

I Keep My Spine in My Pocket
I Keep My Spine in My Pocket

By Hand
By Hand

I Turn Myself Inside Out II
I Turn Myself Inside Out II

These are the pages I did in Patti’s book, for the Color Erratica round robin. Obviously, her chosen color was white. She requested that people choose vintage themes–black and white movies and things that made people feel calm and soothed. I don’t know how well I followed her directions–calm and soothing is not really in my art vocabulary. However, out of my work to date in this round robin, I’m happiest–on a personal level, at least–with what I’ve done in Patti’s book. Hopefully, she’ll like it, too.

[Edit: The last image was taken with my camera while the other three were scanned. The scanned images are fairly close in color to the originals. The one taken by my camera came out almost glacial white, which is incorrect. Can’t do anything about it now, because the book is long gone.]

Art, Artist Books, Collage, News & Politics

Artings and Musings

First, the artings.

These are from the latest installment of the Color Erratica round robin. The color theme this time was “dusk,” so I focused mostly on purpley, winey colors.

The Pea Hens
The Pea Hens

I’ve had that peacock feather floating around in my stash for at least ten years. It was time to use it. The little cotton knickers came from a bunch of antique baby and doll clothes my mom snagged for me at a yard sale. The background is another piece of wrapping paper from Mr. and Mrs. B.’s wedding. This particular book has already travelled overseas, so I figured it was safe to include the poplar leaf and the peacock feather.

The Party Girls
The Party Girls

This was a silly little page. I kept the label from a bottle of Christmas sangria. It was too lovely to throw away. The purple wrappers came from a bag of chocolate truffle candies. The yearbook girls–glued to 35mm film negatives–are from the 1920s (Prohibition era in the USA), which makes me laugh, because the sangri was non-alcoholic.

Baubo and the Girls 1
Baubo and the Girls 1

Baubo and the Girls 2
Baubo and the Girls 2

The last two pages started out covered with dark purple tissue paper. It was a little too garish, though, so I covered it with unbleached waxed paper to tone it down. I love the way it looks–the scans do not do the subtle color justice. I used a couple more Polaroids from my Baubo’s Safari series. I separated the photos from the backing, then sanded through the photo layer, to make them lay flatter and give them some transparency and texture. The top Polaroid was also sanded on the front and rubbed with brown India ink.

The bottom page presented an interesting challenge, in that it had a window cut out of it by the person who worked in the book before me. I decided to emphasize the window by framing it with a scrap of intaglio print I’ve been carrying around with me since college. A cast-off from another student’s printmaking project, I picked it out of the trash and have been carting it around ever since.

Now, the musings.

Thanks to Cynthia for pointing out this article.

I think one of the ironies of the whole Rove debacle is that it shows just how dishonest and lacking in integrity this administration is. It seems to me that, when your platform is based on “moral values,” you might be expected to hold yourself and your staff to a certain, well, moral standard. Countering claims of wrong doing with “it’s partisan politics,” or “he didn’t actually do anything illegal,” seems to me to indicate an ethical disconnect. Since when were moral values a legal matter? Rove clearly discussed information that he had no business discussing with people he had no business discussing it with. Whether or not he’s legally in the wrong ought to be irrelevant to this administration, as it’s quite clearly morally wrong. Condoning such behavior speaks volumes about what’s important to Rove’s superiors and it’s not “moral values.

Oh, and speaking of ironies, dare I say that Mr. Bush’s rephrasing of his intention, from “the leaker will be fired” to “if the leaker did anything illegal he’ll be fired,” might–just might–be considered flip-flopping?

Art, Artist Books, Collage

More Vessels

These are two new pages for the Vessels book.

Migration
Migration
collage
7 1/4 x 10 inches

I covered up the desert at the bottom of the giraffe picture with a carrot I found in a food magazine. The idea of the giraffes walking into the ocean seemed kinda funny. The carrot balances out the orange at the top, plus it adds the perfect surreal touch.

What Lily Saw
What Lily Saw
collage
7 1/4 x 10 inches

The label at the top right came from Catherine. She got me my first library job when I was in college. She also taught me how to weave and quilt. She passed away a few years ago and most of her crafting stash went to my mom. I ended up with a few things, though, including some spiffy fibers. This yarn label was in one of the boxes of supplies.

Ibarra Mexican style chocolate makes the best hot cocoa. It’s got a hint of cinnamon in it. I don’t usually like cinnamon, but it adds the perfect touch. It also has lecithin in it, which makes it extra creamy.

Art, Artist Books, Collage

Color Erratica: Red and Green

I’ve been participating in a round robin with some folks from the Art Erratica group. Each of the books has presented a different challenge. Mags’ book was no exception. She chose red and green with cream and brown. I had a difficult time working with those colors, so some of my reds tended toward the orange or purple. I also had a little trouble with the small size and the spiral binding. I’m used to working across a two-page spread, but didn’t feel like I could do that in this book. That meant coming up with four ideas instead of just two.

And, oh frabjous day, I actually remembered to sign all the pages in this book. I’m afraid I forgot to do so in Cathy’s book.

China
China
collage on paper
5 1/2 x 5 1/2 inches

When my brother and I were kids, we had a friend whose parents did the craft show circuit. One of the things they sold were window hangings made from Chinese paper cut-outs. The cut-outs were sandwiched between two pieces of glass, then the edges were sealed with leading. For years we had a cut-out of a fisherman who hung in various kitchen windows. He had long ago faded to white, but was cherished for the memories of old friendships he sparked in each of us.

I think this is the first time I’ve used Asian ephemera in my artwork. My brother and his wife import Chinese arts and craft and the sandalwood fan and paper cut-out were gifts from them. In light of the recent discussion about fetishizing others’ cultures in artwork, I was hesitant to take this route. However, I feel strongly about the importance of using objects that are a part of your life, that have a history and a story of their own.

Derranged
Derranged
collage on paper
5 1/2 x 5 1/2 inches

This piece incorporates one of the photos I altered a couple of months ago. It’s of a bronze Pan figure holding a bouquet of roses, with a live, red rose resting on top of the bouquet. The Indian-inspired tissue paper on the left came from Ms. Lea’s wedding.

Empty Little Boat
Empty Little Boat
collage on paper
5 1/2 x 5 1/2 inches

I still have boats on my mind. I’ve been suffering from a lack of motivation and inspiration lately, so this photo of an empty wooden boat, beached high and dry on the sand, seemed appropriate. The circle comes from a children’s book I dismembered.

Edit: I did some things a little differently this time. Part of that is because I was working in someone else’s book, which is a little nerve wracking. Part of it is because I had a major case of the waffles and decided to change horses in mid-stream. A couple of things didn’t work out the way I wanted them to, which sent me into a panic. Hmmm. What to do? I laid some tissue paper over the problem area, which helped, but not enough. Then, I tried a piece of an old dress pattern. Better, but still not right. Finally, I settled on wadding up some unbleached waxed paper and gluing that over the mess I’d made. Much better!

The Keeping Tree
The Keeping Tree
collage on paper
5 1/2 x 5 1/2 inches

This is based on a painting I did a couple of years ago. I used the same drawing in an altered book spread and in a tip-in swap. Someone suggested “a penny a head” for this one, but “a penny for your thoughts” is more what I was going for. I got the hat pin at a yard sale when I was in high school. The little bit of cork came from my first real art-school ruler (the ubiquitous 18-24 inch cork-backed, metal straight edge). And, again, more of my Yearbook Girls.

Art, Artist Books, Collage, Paintings

Pandora’s Jar

Pandora's Jar
Pandora’s Jar
acrylic, Neocolors II, and collage on paper

This is the second spread in the Blue Journal. The background is acrylic, again. The jar was done in Caran d’Ache Neocolors II. I also used Neocolors II to color the fortune cookie slips. Like the previous spread, the tealy colors in this piece did not scan well. I ended up knocking down the saturation and contrast, which helped a bit, but the color itself is still off.

This spread could’ve doubled for the Vessels book. I may end up repeating it there, using a different color scheme.

Art, Artist Books, Paintings

Rain Bird

Rainbird
Rain Bird
acrylic on paper

I spent over an hour Photoshopping this spread and the color still isn’t quite right. Tealy-aquas are a pain in the ass to reproduce, especially when there are metallics involved. Grrr. This is the first spread in the Blue Journal, which is for an Art Erratica round robin. I was supposed to get this stupid thing mailed out yesterday, but held it back so I could make scans. I figured I’d have plenty of time to get them done this ayem, then I’d run into town and pop this puppy in the mail. Now, it’s looking like that’s not going to happen until tomorrow, which will make it two days late. I suppose I could send it out as is, without getting scans first, but it’s going to be traveling for almost a year. If it gets lost or damaged, I won’t get a second chance. Who knew that it’d take me as long to scan and tweak as it did to make the bloody thing in the first place?

Anyway, this particular RR is color based. Everyone picked a color scheme that appealed to them. Mine is “underwatery blues,” so everyone who works in my book will work primarily in shades of blue.

Obviously, the Rain Bird is not anatomically correct. He’s sort of half bird, half betta fish, with feathery blue fins. I used quite a bit of metallic paint, hoping it would give a “silver lining” sort of effect. Metallics don’t scan well, but the original is nice and shimmery. Oooh, shiny!

Art, Artist Books, Bookarts

Blue Journal

Blue Book
Blue Journal, Front
140lb Cartiera Magnani hot press watercolor paper, Coptic bound with cotton thread
8 1/2 x 7 1/2 inches, 10 signatures of 2 sheets (40 pages)

Blue Book
Spine

Blue Book
Spine detail

This is the (mostly) finished book for the art journal round robin. It’s a color-themed RR and, as you can see, my journal will be focusing on shades of blue. I used more Cartiera Magnani paper (140lb hot press watercolor paper), which should allow everyone to work in pretty much any medium they choose. The soft denim cover will, I hope, hold up well in the mail. The sewn, open spine binding is flexible and ought to allow for some expansion.

Between folding and tearing the paper down to the right size and sewing the bindings on two books today, my fingertips are hamburger and my hands ache. But, I’m finished! I still have a couple of spreads of my own artwork to do before mailing it off, but the hard part is done.

Oh, and I’ve got tons of small pieces of paper left over to make some more silly little books with. I should be able to get a couple of 3 x 3 3/4 inch books and one 2 1/2 x 1 3/4 inch book out of it.